Ideas for landscapes come to me through walking. My drawings and photographs record the particular views that interest me
In my studio I narrow the images down to a single landscape view.
I draw or paint a watercolour, sometimes both, as preparation for a particular landscape. The demands of the composition over accurate typography are paramount.
Sometimes I square up the drawing and then transpose it into the canvas or board. But often I freely interpret the drawing.
The colours used and the quality and of the light are critical to the creation of the mood of the painting. The finished landscape is a feeling about a particular place at a particular time.
My still lives come about though wanting to paint an object or group of objects: a wooden box, a group of onions, a strange pot of flowers.
I move the objects around until they cohere into a strong unified composition. I then follow the same working process as in painting the landscapes.
To me landscapes and Still Life complement each other. The former is continually trying to expand, the latter is enclosing, narrowing down.
They reflect a satisfying range of mood and feelings at different times. They fulfil different needs.